playing with words

“With writing, as with every creative act, there is such a thing as trying too hard. You can strive when you need to do the opposite. Sometimes, we writers just needed to sit in our stories and play. Today, don’t rush to finish, to meet your word count goal, to pound out stories. Instead, enjoy the process. Relax. Take a deep breath. Let your words be like the ocean, lapping the shores of a yellow-sanded beach, the blue sky above.”

Joe Bunting, Lets Write a Short Story!

I read these words a while ago and they struck home. Having put myself on a strict writing schedule with weekly, monthly, and semester-long goals, I’ve started getting bogged down in what I have to get done. Goals are good. But not when they become so binding that I can’t enjoy the process of writing.

Are you trying too hard? Are you beating your head with a stick for not meeting your word count goal for the last six days? If you’ve lost a sense of fun and enjoyment regarding the writing process, you may be working too hard. Take a day to just play with words. Enjoy the sounds of

Short Story – Memory Seed

Rea and I left the hospital together. According to the doctors, Mom needed another week of recovery from the factory accident. We had gone to see her after school and stayed to watch the programming with her until visiting hours were over at nine.

The street lights illuminated the walkways like broad sunlight. We walked in silence for a while, heading toward our apartment only a few transport stations away. We could take the transport, of course. But we both liked walking better.

“Hey Alik?”

“Hmm?” I glanced down at her as she smiled up at me with those sparkling brown eyes.

“Can we walk home by the river? I want to see the ducks.”

I hesitated. But I couldn’t say no to my sister’s innocent, almost child-like request. Leave it to her to be sixteen and still innocent as a six-year-old. “Oh, all right.”

She grinned at me. “Mom looked good tonight, didn’t she?”

“Yeah,” I agreed.

We walked in silence, Rea gazing up at the moon. She loved coming this way. After all she’d barely seen wildlife in her city life. And though the dingy river wasn’t much, it was better than the eternal skyscrapers.

Still, the river gave me the creeps. Eternally accustomed to the city’s security and crowded transports, the solitude and darkness of the river had always scared the heck out of me.

Yeesh. The things brothers do for their sisters. Anyway, I wouldn’t let Rea think I was a coward. Now that it was just us. Well, and Mama.

We left behind the friendly lights of the streets and the racket of the wailing transporters. Rea sighed happily. Her joy was infectious.

We reached the old bridge over the black depths. Rea stood gazing out at the flowing river. I stood with my back to her, watching the city lights, hands stuck deep in my pockets. We stood thus, the only noise the constant rushing of water. For some reason, it made me uneasy.

“Hey, Rea?” I turned around.

A fist slammed into my stomach, knocking the air out of my lungs. I fell to my knees, gasping for breath. A man stood before me.

“Rea!” I chocked. Another man stood on the bridge, holding my sister’s motionless figure. I struggled to my feet, but the man struck me again. Pain flashed through my body. He aimed a small silver object at me. I gasped as a burning mist fell on my face and screamed as it burned in my eyes. I fell to the ground with my hands blindly pressed to my face.

“Rea!” I screamed. Wracking coughs shook my body as I struggled to get back up.

A metal-tipped book slammed into my stomach. “Rea,” I gasped. Then I fell into darkness.

 

 

The first thing I felt was my throbbing head.

I turned, pushing back a thin blanket that covered me. I opened my eyes. A burning sensation stabbed my eyes and a groan escaped my lips. Pressing my fingers against my eyelids, I sat upright in bed, gritting my teeth as tears ran down my cheeks unbidden.

God, what is wrong with me?
     Still blinded, I staggered to my feet and stumbled over the cluttered floor to the bathroom. I pried my eyes open and splashed water at my face.

After several excruciating minutes, I was able to keep my eyes open. Exhausted and weak, I dragged myself back to my bed. I sat on the edge of my thin, squeaky mattress and buried my face in my hands.

I sat trying to remember what had happened to me. What day was it, anyway?

I massaged my forehead, trying to think. But my mind felt numb, foggy.

I felt…empty.

Sighing, I rose to my feet.

Rea and I needed to get to school.

I stumbled into the kitchenette of our tiny apartment and grabbed a breakfast pack from the fridge and took a swig from the bottle. Why wasn’t Rea out already?

“Rea!” I scrolled through our small wall-monitor, checking for any updates from the hospital about Mom. “We gotta make the transport, Rea!”

I blinked hard as I shut down the monitor. I still had a few tears trickling unbidden from my eyes.

I was surprised at the silence. Normally Rea was up long before me. Was she okay? This thought made me pause. I stared at the counter, trying to remember something. At the back of my mind, I realized something didn’t feel right.

I shook my head, trying to clear the fog in my mind, and returned to my work.

“Rea, we’re gonna be late.” Still no response. “Seriously, girl,” I muttered, “are you still putting on makeup?”

I finished breakfast and walked to the door of her room. Knocking, I called, “Rea?”

Concern started to rise up, but I fought it down.

I pulled the door open.

“Rea?” Her ruffled bed was empty. The door to her bathroom stood wide open. She wasn’t inside.

I started to panic. No, I couldn’t panic. But where the heck was she?

My eyes still burned and I pressed my fingers against my temples. Something wasn’t right. What was going on? I felt like I should know.

I walked to the fridge, took out a cold beverage, and downed it in three gulps.

Someone knocked.

I stared at the door, trying to regroup. Shaking my head again, I crossed the room and answered it. A security officer stood tall outside.

“Are you Alik Macalester?”

“Yes. Can I help you?”

“We need to inform you of an accident that involved your sister, Reanna Macalester.”

My head started to spin and I gripped the door for support. Where the heck was Rea?

“Is she ok?”

“Your sister left your apartment this morning at 2:38 AM. The doctors expect she was sleep-walking. She had an accident in the apartment complex.”

My throat was tight. “Is she ok?”

“She was attended to immediately. Unfortunately, her injuries were too great.”

Is she ok?” I thundered.

The officer handed me a sheet of paper. “I’m sorry, son. She died.”

I shook my head in disbelief. “That can’t be right. I mean, I would have heard her leave. You must have gotten the wrong girl.” None of this made sense.

The officer shook his head. “She was positively identified.”

No. My mind reeled, trying to grasp what this meant. I stared blankly at the paper. The name Reanna Macalester was printed at the top, and underneath was a summary of what the officer just told me. Lies. It had to all be lies.

“Sir?” The voice seemed to echo from a far distant galaxy. I just kept staring, my mind churning.

“If you have any questions, you may contact the administration through the communications on the printout.”

I didn’t look up as the officer left.

I just stood. I felt like someone had kicked me in the gut. I couldn’t breathe right. Everything seemed to be spinning.

After what seemed like years, I stumbled back to Rea’s room. I leaned against the doorframe and stared at her bed, her desk, the old-fashioned pictures hung on the walls. I tried to understand. I tried to accept.

But deep down, I knew. None of this could be right.

Time for school came and went. When I finally left our apartment, I wandered the walkways in misery, blinking my still-burning eyes. For some reason, I ended up at the hospital.

I found my way to Mom’s cubicle. She was sleeping when I walked in and didn’t stir as I knelt by her bed. I took her hand and pressed it against her cheek. She was so like Rea. I lingered on my knees, still numb.

I was glad Mom was asleep. Hopefully someone at the hospital would tell her about Rea before I had to. How could I tell her?

I couldn’t.

I shook my head, fighting back so many emotions.

“I don’t know what’s wrong with me, Mom.” I whispered. “None of this is right. I just wish you were home.”

Metal scraped against metal as someone drew aside the curtain.

“Sir?”
I turned to a nurse standing behind me. She was looking at her hand-held monitor and spoke without looking at me. “I’m going to have to ask you to come back at another time. We need to run some diagnostics.”

I nodded, too empty to reply, and stumbled to my feet.

For the first time, she looked at me. “Are you okay, sir?”

I shook my head. “I’ll be fine.”

She stared at me skeptically, but said, “If you’d like to come back, you can this evening.”
I nodded and left.

Once outside the hospital, I continued to wandered the walkways mindlessly. I didn’t think. I just followed my feet. Somehow I found myself on the road to the river.

I stared at the flowing black water.

My mind was in turmoil. Rea. Gone. It was impossible. It was madness.

Everything just felt so wrong. Why did being here at the river feel right?

Rea had loved the river so much. Why didn’t I bring her here more often? We could have come last night after visiting Mom.

I pressed my hand against my face. Something is so wrong, Alik. What the heck is it?

Rea’s gone. That’s what’s wrong.

Oh, Rea.

But it was more than that.

My vision was blurred. I rubbed my eyes. Colors and shapes started swirling. I lost sight of the river and I sank, shivering, to my knees.

Cold. Dark. I felt them overcoming me. I was sinking in the deep water. I was going to drown.

 

“He’ll be fine, won’t he?”

“I believe so. His mind went into shock. It just wouldn’t accept the memory seed. But physically, he’s fine.”

The voices were fuzzy, coming from miles away. Rocks were digging into my back as I lay. I tried to move. My eyes were still burning. I forced them open, wincing at the pain.

Above me two people, a man and a woman stood talking. I blinked, forcing my eyes to focus. I immediately recognized them as security officers.

When they saw that I was awake, one moved away.

The woman helped me sit up. “Do you remember what happened, Mr. Macalester?”

I swallowed. My throat felt so scratchy. “Rea,” I croaked.

“Yes. Your sister died. Security found you by the river, in shock.”

“None of this makes sense.”

She entered some notes onto her wrist-tablet. “I think I may be able to help with that.”

“How?”

“Would you rather go to the administration building to talk?”

“I just want to understand.” My voice was tinged with anger.

She looked me in the eye. “I’m going to be very honest with you.”

“I appreciate that.” I hoped she would take note of my sarcasm.

“Your sister is dead, Alik,” she said.

I stared. All the emotions threatened to break loose. I bit my lip. The pain helped me keep from crying.

“However,” the officer added, “not in the way reported to you. Because of the circumstances of her death, the administration deemed it necessary to alter your memory and inform you that her death was an accident.”

Anger surged into my voice. “What happened to her?

“Reanna was raped, Alik. By the time security was made aware of the event, the offenders were gone. She was dead.”

Pieces started to fall into place. I began to remember a man, a horrible mist burning my eyes. I remembered Rea. Unconscious in that man’s arms. I gritted my teeth. “But how…why brainwash me?”

“Revenge is one of the strongest human emotions,” the officer said. “We did not want you to be so consumed with it that you became a destructive social force to yourself and others.”

“You do not have the right to mess with my mind,” I spat.

“It’s an experimental technique tested only recently,” she continued calmly.

I glared at her.

“Obviously, you have demonstrated the limitations of this still theoretical method. Your mind would not accept the memory seed we planted in your brain. You essentially went into denial. Which is why you collapsed. Your brain was too exhausted trying to determine what was true and what was false.”

I swallowed hard and looked away.

Part of what she said actually made sense. I felt hate simmer angrily inside me. I had this urge to embrace revenge.

The officer waited for me to speak. But I stared away in silence.

Finally, she slowly backed away. “I’ll let you have some time alone.”

 

I knelt in the dirt beside the river and stared at the swirling currents.

My mind still felt numb.

I understood. At last it all made sense. But it didn’t make it any easier for my mind to accept. I didn’t like reality.

How could Rea really be gone?

I bit my lip. Part of me believed that they were still lying to me. Maybe if I just went to look for her…she would be there.

Maybe…maybe if I tracked down her killers. I gritted my teeth as the anger and bitterness coursed through my veins. I pressed my hand over my eyes.

As I stared into the river, a part of me whispered, Rea wouldn’t want you to be consumed in this way.

I just missed her.

Oh, Rea. What will I do without you?

{You might have noticed that I’m posting new short stories on Thursdays. Not all of these are finished per se. But the deadline is forcing me to crank out a story a week, which is proving to be a very challenging goal.}

tense struggles

Up until this summer, I wrote exclusively in 3rd person, past tense. I don’t know why. For some reason, I never felt comfortable with anything else. Then last spring I got stuck in my writing. Really stuck. As in, my story won’t work, I can’t write, I hate my voice, sort of stuck.

While reading articles, I stumbled across advice that changed my writing. When you’re stuck, try something different.

And so I wrote Blue Eyes. It’s written in 1st person, present tense (a tense I had never tried before). It felt weird and different while I was writing it. At the same time it felt natural and intimate and real. The words just flowed onto the page

Ever since, I haven’t been able to go back to 3rd person, past tense.

I have no idea why 1st person, present just feels so right when I’m writing it. It feels person, close, intimate.

Leave it to me to feel comfortable writing in the most controversial tense.

Here’s my problem: Do I risk aggravating some readers by my tense in order to embrace  my voice? How do I even know  for sure it is my voice?

A Question

“If your eyes see the world dripping with wonder as spider webs drip with dew, your writing will show it. If your eyes see corruption and deceit behind every closed door, you will read like a conspiracy novel. If your eyes see a young boy walk onto your train, a scar on his forehead and a wand in his hand, you will be J.K. Rowling. We write what we see.” (Joe Bunting, The Write Practice: 14 Prompts)

Writer: How do you see the world? 

I’ve asked myself this question so many times this past week.

The way you answer this question impacts your entire writing career.

You may not realize it, but you have control of how you view the world. You can close your eyes to the beauty, you can choose to see only the bad. And your writing will mirror that.

Or you can choose to open your eyes and behold wonder. You can paint love and beauty with your words.

Its been a magical week of discovering this truth. There are times I have so much to learn, to discover, to understand, to do, and to create; I don’t even want to sleep. I just want to sit up through the dark and play with words. I want to read a million books in a sitting. Devour tales and theories, ideas and stories.

I want to learn to see the world the way I want to write it.

Learn to write the world how I see it.

 

 

“We make, but thou art the creating core.
Whatever thing I dream, invent, or feel,
Thou art the heart of it, the atmosphere.”

-George MacDonald

 

 

“Human creations are an extension of God’s own creative works, because he created us to reflect him by being creators.

“As humans, we glorify God by taking what he created from nothing and shaping it into things for our own good and for his glory. The entire universe—including angels and living creatures in Heaven—should look at our creative ingenuity, our artistic accomplishments, and see God in us, his image-bearers.

“God created his image-bearers to glorify him in creative accomplishments, and he’s pleased by them.”

-Randy Alcorn, 50 Days of Heaven

short story thursday – blue eyes

I check my appointments on my wrist cuff and head to my office to drop off patient records. Rubbing my lower back that aches from the endless walking of patient rounds, I grab a new set of charts.

In the hall, I take a deep breath of sterile MAF air and stretch my fingers. As I walk, I calculate the remaining hours of my shift. I’ve treated two minor mining accidents, one heart attack and three minor colds so far.

“Dr. Steiler.”

I turn to let Erryn catch up to me, her gray lab coat flapping as she hurries down the hall, her patient charts tucked neatly in the crook of her arm. I smile at the sight of a coffee cup in her hand.

“I see we got the new coffee shipment,” I comment.

She catches up and we walk together.

“Are you okay?” I ask, now seeing the way her hands are clutching her cup.

She sighs. “Just diagnosed a girl from the mining region 23. At first I was stumped. The symptoms were bizarre. But then I recognized them and did a blood sample.”

“What’s the diagnosis?”

Erryn glances at me sideways. I don’t like the look in her eyes.

When she utters the name of the disease, I stop short, staring. “But we eradicated it from the camps years ago.” My voice is husky.

Erryn shakes her head. “I did the blood test myself. Twice.” She holds out the file and shows me the test results. “Her time’s running short. I gave her twelve hours unless we get a blood donor.”

“Well, check with the system for a match.” I say with more optimism than I feel. The only way to get a complete transfusion is to take the blood from a dying patient, and one that matches the blood type. The transfusion itself is a simple thing, performed by a simple blood diffuser connecting the two patient’s systems. First, though, a donor must be available. The girl’s chances are close to none.

“I’m on the way to the lab now,” Erryn confirms. She pauses, staring at the records.

“What?”

She chews her lip. “I’m scheduled to make the run to the surface base. I have to leave after my shift.” She trailed off, not meeting my gaze.

A tremor runs through me. By regulation, when a doctor has to leave the base, their patients are handed over to their partner. Who in Erryn’s case is me.

I think of facing that poor girl, her terrified eyes, lips probably covered with the sores, the one tell-tale symptom. My hands shake as I reach to take the file. “Don’t worry. I’ll take care of it.”

Erryn clings to the file. Her eyes lock on mine. “You sure, Alexis? You sure you can go through this again?”

I swallow, remembering his face. Remembering those fearless blue eyes smiling up at me. Feeling his tiny hand clutching mine while he fought for his last breath. Thinking how glad I was that our parents had died. That they weren’t here to see his death.

I struggle to force down the memories. “I’m sure.”

She lets the file slip out of her grasp. Lays a hand on my shoulder, she gives me a reassuring squeeze. “I’ll see you when I get back.”

I watch her walk away. Clearing my throat, I go to find my next patient. Its two hours later when I find a computer in the lab and order a search for a blood donor for Erryn’s patient.

As I stare at the chart, the diagnosis sends shivers down my spine. Like the ones I always used to feel after my nightmares. I order the results to be delivered to my desk, wondering all the while what they’ll show. I try to ignore my medical instincts, but deep down, I know the chances of finding a match are 1000 to 1.

Its late afternoon and I’m in the back corridor of the complex, checking in on an overdue expectant mother. I’m walking back to my office when I stop, suddenly realizing that I’m in her corridor. I close my eyes, wincing as I remember the pain of watching a child squirm under the glare of death. The last thing I want to do is face that again. But I know that I can’t avoid this girl forever.

She’s sleeping when I pull open the door and enter her room, trembling. My hands shake as I examine her sores, the bruises that score her side. I pull away in horror, trying not to breathe, not to wake her. But she shifts only slightly in her drugged sleep.

The door opens and I turn.

“Oh. Sorry, Doctor.” A nurse stands in the door, obviously surprised to see me.

I motion toward our patient. “No, please. Proceed.”

I wince as I hear the tension in my own voice. Feeling a sudden urge to escape from this room of suffering and memory, I move toward the door.

I linger as the nurse silently slips some sedatives into the girl’s arm.

My mind is plagued by a question. “Does she have any family?” I murmur.

The nurse shakes her head as she collects her supplies. “She came with the last group of colonists with her Dad. He was the Captain of the ship, the Daedalus. He died shortly after arriving. Heart attack.”

The lump that forms in my throat unnerves me. I turn and stumble into the hallway. The halls are a blur. I clutch my files and propel myself toward the break room.

A cup of scalding coffee clears the fog in my mind. It gives me enough energy to force myself through the remaining hours of my shift. By the time I dismiss my final patient I can hardly keep my eyes open, but still I drain another cup of coffee and drive myself back toward my office. A strange ache of dread settles in my mind as I think of the results of the donor analysis waiting for me.

My heart thumps in the quiet of the halls. I rub my eyes with my fingers as I stumble into my office. I know I’m a wreck. All I want is so see a good report on the analysis. Then I can go home. Go to bed.

But when I see the results, I sink into my chair, numb.

In all the blood pools in all the camps in the colonies, there is only one match. One possible donor who could save the little girl’s life.

Me.

 

The medical staff switches to the night shift. I sit in my chair, staring at the wall. This day has felt so surreal. I wish it were just one of my nightmares. But it isn’t.

I never thought I would again have to face those sore-covered lips, the glisten of feverish skin.

The disease, what we doctors classified as the D2 infection, was a disease caused by a rare mutation of bacteria hidden in mines far below the surface of the planet. It struck the planet’s colony mercilessly, killing thirty-six victims in the first three days. Many more died before we found the cause and the cure. After vaccinating all the colonists against it, we thought it had been eradicated.

But I had still faced it in my dreams every night. And now I’m staring my nightmares in the face. And I’m paralyzed.

My wrist cuff chimes the hour. The noise pulls me back to reality, back to my office. Through the closed door, I can hear the quiet murmur of a normal night shift at the base. I swallow—a struggle with my aching dry throat—and shake my head with weariness. The results of the analysis still sit in front of me.

I read them again. Bite my lip as I stare at my name, the only name, under the list of potential blood donors.

That sight, the lasting horror, awakens a calling to action within me.

I slip from my office, down the halls of the almost deserted MAF. I don’t even think. My feet lead me to her room.

I kneel by my patient’s bed. She’s asleep, her chest rising and falling rhythmically. My gaze locks on her lips, the sores that ruin their perfect shape.

I can see him now, lying on a bed much like this, his lips the only outward sign of the disease wracking his body.

I try to push the emotions down. Hide them away.

I sat by him, powerless. No, not powerless. But unwilling, conflicted.

It was my baby brother’s life. Or mine. There had been only one match to the hurried search for a blood donor. Me.

If we had still been on Earth, the chances of finding a dying patient with matching blood type would have been so much greater. But there we were, alone, my brother and me. We had no other family left. No one to keep me from saving him. But no one to compel me either.

I remember sitting in the chair by his bedside, staring, trying to imagine what death would feel like. Trying to prepare myself for life-ending sacrifice.

I imagined for too long. Before I could make up my mind, find the courage to sign my consent, the lights on his bedside monitor started flashing.

Doctors crowded in. My sobs were drowned out in the shouting and the machines and the beeping. I stared as they went through the motions of reviving my brother. But it was too late.

Tears sting my cheeks as I remember. I am kneeling with my hand clutching the cot for support, fingertips white.

I lean my forehead down on the cot and try to imagine, once more, what death might feel like.

A sudden urge of haste runs through me. I know the guilt of having waited too long. I make a random attempt to brush the tears from my face and stagger to my feet.

I grab her chart with trembling fingers. Make a couple of notes. Pull tubes, needles, and the hand-held blood diffuser from the drawer. Carefully move my patient over and lay on the cot next to her sedated form.

Plug myself in.

A wave of nausea hangs over me as the blood begins to transfer.

I remain conscious long enough to see her eyelids flutter. Her eyes open.

I smile as fearless eyes lock onto mine.

Blue eyes.

never lose your wonder

Yesterday, while cleaning out documents on my computer (my auto task I do when I’m avoiding work), I stumbled upon a word doc named Wonder. Inside, I found where I had copied the following passage from a book I read for my humanities course last year.

“It seems as if in the process of growing up we lose the ability to wonder about the world. And in doing so, we lose something central—something philosophers try to restore. For somewhere inside ourselves, something tells us that life is a huge mystery. There is something we once experienced, long before we learned to think the thought.

“To be more precise: Although philosophical questions concern us all, we do not all become philosophers. For various reasons most people get so caught up in everyday affairs that their astonishment at the world gets pushed into the background…A philosopher never gets quite used to the world. To him or her, the world continues to seem a bit unreasonable—bewildering, or even enigmatic…My concern is that you do not grow up to be one of those people who take the world for granted, Sophie dear.

“So now you much choose. Are you a child who has not yet become world-weary? Or are you a philosopher who will vow never to become so?” -Sophie’s World, Jostein Gaarder

I obviously didn’t agree with everything in the book on philosophy. The main difference in the wonder of a philosopher and the way I wonder is this:

A philosopher believes that the act of wondering can bring him closer to the ultimate answers of life and the universe. He believes that he can find truth simply by searching for it, by asking questions, and thinking about the answers.

I believe that all the ultimate answers of life can only be found in Scripture.

But. Just like Chesterton in his Ocular Athleticism, the philosopher rightly warns his readers not to lose hold of wonder.

Wonder is precious. Glorying in the beauty of God’s world is a form of rejoicing. Its worship.

So don’t ever lose your wonder.

This last week has been an emotional rollercoaster for my writing. In a short time, I went from a stage of writing solely for myself, to again sharing my work for critiques and feedback. The change caught me by surprise.

There were moments of fulfillment. A friend texted me with words that brought a wave of encouragement over me. There were moments of disappointment when someone didn’t like or understand my writing.

I got feedback—some positive, some negative. And the feedback helped me grow. But at the same time, I found myself worrying about my readers, my audience, as I wrote.

For goodness’ sake, my audience is primary family and friends at this point. Why should I care what they think? But still I found myself worrying about improving, building a platform, and more about my readers.

How do you write without those worries hanging over you?

How do you keep the fears of peoples’ opinions from controlling your writing?

How do you write boldly when you feel the eyes of readers fixed upon you while you write?

To be honest, I haven’t found all the answers. But I do know this.

When people read your work, you lose the assurance that no one will criticize you. But you gain the joy of moving other people (sometimes just one person) with your words. So is it better to write only for yourself or to endure the hardships, the mixed reviews, the growing pains in order to move one reader?

I try to write solely from my heart, from my passions, fueled by wonder, motivated by the truths I want to tell. Forgetting my readers, who might criticize, who might praise.

Last night, I sat down and wrote myself a reminder:

Never write according to what your readers might like or dislike. Remember why you write. You don’t write for a certain number of hits, or acclaim, or the hope of success and glory one day. Write what you feel burdened to write. Leave the rest to Someone Else.

Seeking my Voice

I’m a writer, seeking. I can’t quite find what I’m looking for. And the more I look, the more I understand the difficulty of this search.

Like many young writers, I’m searching for my voice. Often, I sit up late at night with a pen in my hand. I like to play with to words, to experiment with different styles and personalities.

Why am I so obsessed with finding my voice?

Well, I would argue that voice is one of the most important parts of writing. A voice has power. It’s real, vulnerable, raw you. It catches peoples’ attentions. When you write with a personal, unique voice, people will listen to you.

As Holly Lisle wrote, “The only thing in the universe that readers cannot get anywhere but from you is . . . you. Which means you have to put yourself on your page. This is what is known in the writing business as developing your voice. Voice isn’t merely style. Style would be easy by comparison. Style is watching your use of adjectives and doing a few flashy things with alliteration. Style without voice is hollow. Voice is style, plus theme, plus personal observations, plus passion, plus belief, plus desire. Voice is bleeding onto the page, and it can be a powerful, frightening, naked experience.”

This is important. If you haven’t already established a personal writing voice, start now.

What can you do to seek your voice?

  • Read widely. Don’t just read that one genre you’ve been reading since you were ten. Branch out. Reach what you’ve never read before. Try a little mystery; some dense nonfiction; a philosophy book; a light comedy; fantasy.
  • Write extensively. Skip genres. Write something new and different. Let your mind wander as you put pen to paper, so that you use not intellect, but passion, to guide your words.
  • Constantly exercise your creative mind. When I’m reading and writing for hours a day, I find it hard to stop. Even at midnight with my alarm set to go off in 6.5 hours, I can’t seem to get the words to stop going through my mind. But sometimes when the words are just coming unbidden, that’s when I write my favorite, most personal work.
  • Be you. Pin-point the writing you like to read; that might help you figure out what you want to write. In the end, you have to discover your own writing tastes. Write boldly and vulnerably. Let your reader see your heart scribbled out in words on paper.

Have patience. Finding your voice probably won’t be a quick and easy thing. Like I said, I’m still searching for mine. I don’t pretend to have all the answers.

But I am seeking.

 

Short Story – Halls of Mirrors

Darkness entraps me. I wander aimlessly by the light of the stars, trembling at every strange sound in the surrounding woods. Icy fingers of bitter wind tear at my clothing. Wrapping my cloak around my shoulders, I shiver.

The moon shines through the cracks in the silhouetted trees above me. It casts a faint light on the forest’s dark floor. I wince at another howl of a coyote. Biting my lip, I force my feet to keep moving forward.

I need to find somewhere to rest for the night. But a heavy blanket of despair and danger lies over this forest. And although I have stayed nights in many undesirable places, this threatening forest, filled with the howls of coyotes, makes me want to sleep far from here.

Tonight, I want solace. Silence. Peace. A desire for these drives me onward, a wandering vagrant stumbling in the dark. I clutch my cloak with my empty hands.

My eyes ache. My whole body aches.

I want a bed, food. No. I want so much more. More than the life I’ve come to know. Something more than the touch of a stranger, the deceiving smiles of worthless men.

But what do I want?

Tears sting my eyes. I look upward and breathe clouds of fog into the icy air as I stare at the moon. Oh, how do I get out?

I stumble on like a blind beggar, wandering past tree and shrub.

It seems hours later when I come upon a trail, wide enough for a single carriage. Thank you, I breathe, even though I speak to no one. My eyelids are so heavy. My faltering feet tread the easy path and my eyelids droop closed for a moment.

I begin to see visions in my walking slumber. I can see his eyes. Feel the touch of his finger as he strokes my cheek and brushes my long dark hair out of my face. Hear him whisper the words of encouragement and promise.

A cold wind. I shudder and draw my cloak closer.

I hear a rumbling noise. I just want…sleep. The rumbling stops. A voice speaks from behind me.

“Is she lost?”

“I don’t know, m’lady.”

“She looks exhausted.”

“Yes.”

“Get her in the carriage,” the voice whispers. I’m too weak, too tired. Can’t resist. Warm hands lift me. I don’t want the touch of a stranger. No. But what do I want?

The weight of my eyelids is too much. I slip into darkness.

 

I wake in a strange bed. I’m used to wakening in unfamiliar places. But I can’t remember ever being in this bedroom before. I slip from under the rich covers and find I’m still in my tattered clothes. I hurry into my shoes and walk to the door, which I pull open an inch. I peek through.

Outside, I see a long corridor, gorgeous tapestries, dark carpeting.

Not my usual surroundings for a nighttime stay. I begin to recall the events of the last night. Wandering in the forest. Being found in the dark.

I gather the courage to creep from the room. Tiptoeing on the corridor’s lush carpets, I creep toward a doorway from which a warm light glows. As I draw near, a lady emerges. I gasp, startled. She turns and smiles at me.

“Child, how did you sleep?”

Her eyes are so kind. She’s tall and holds her head high. Yet even with her rich blue dress and fine jewelry, she does not seem assuming or arrogant. And though she calls me child, for some reason it does not bother me as it normally would have.

“I slept well,” I stammer. “Thank you.”

“Come,” she motions toward the room. “There is breakfast set out for you.”

She guides me to a chaise. On the table beside it sits a tray of steaming porridge and rolls, as well as a cup of tea. She sits across from me in companionable silence as I devour the food. I relish the delightful flavors and smells. I have not eaten thus in weeks.

“What is your name, Child?”

“Evangeline,” I murmur, buttering a roll.

“Can you tell me about yourself, Evangeline?”

I finish the roll and wash it down with tea, stalling to choose my words.

“There’s not much to tell, ma’am.”

Her eyebrows rise a tiny bit and I get the feeling she doesn’t believe me. “Who is your family?”

A dull ache of guilt settles over me. I avoid both her gaze and her question. “My mother died when I was three, ma’am.”

We both fall silent. I run my finger along the chaise admiring its beauty.

“I must leave you now for a while,” she says, rising. “But know this—as long as you are in this house, you are welcome.”

“Where are you going, my lady?”

“I have needs to tend to in the village. I will return this afternoon. Amuse yourself in any way you wish. You may explore the rooms, read in the library, or ask a servant to show you to the gardens.”

She turns to go.

“Please, could I come with you?” I implore.

She pauses and shakes her head, her grave eyes smiling gently. “No, child. You must remain here. But do not fear.”

She turns to leave.

“Wait.” I bite my lip, searching for the right words. “Why did you help me?”

She smiles. “You’ll understand soon.” Before I can think of a response, she disappears through the doorway.

An hour passes as I remain in the sitting room, enjoying the peace and quiet, drinking in the beautiful surroundings. I stand before the fireplace, relishing the warmth.

But soon, boredom and curiosity settles upon me. I wander aimlessly from room to room, gazing at the paintings. I inspect the massive collection of books in the library. I don’t recognize any of the titles. But I pull volume after volume from the shelf and flip through the leaves, inhaling the wonderful musty smell that drifts from the pages. I take a fancy to a pretty blue one and carry it with me. I crawl behind rich tapestries to sit on a cushioned window seat that looks down on the garden.

I creep back out when the maid brings lunch, after which I betake myself to wandering more rooms, peeking into moth-ball-filled closet and empty bedrooms.

And then I find the door. I almost pass it by, thinking it to be only another closet. But something in the back of my mind urges me to look.

And so I do. To my amazement, I find not moth-balls, but a dark staircase leading upward into the gloom. For some reason, I glance behind me just to make sure no one is watching. I’m struck by the urge to explore the unknown. After all, the Lady told me I could explore. I’ve always been a creature of curiosity and adventure.

So I go.

I slip inside in a hurry and close the door, for there’s still a part of my mind that doesn’t want the servants to see me. I stand in darkness. No, there’s a light shining from the top of the stairs. I grope upward, heart racing, trembling fingers gripping the wall for guidance.

When I reach the top, I stand still, staring at this odd dream I’ve stepped into. A long passageway stretches on before me, brightened only by the daylight streaming through large windows on either side. On both walls doors line the hallway, all shut. The doors aren’t mahogany or oak. They’re all different colors—one white, one gray, pale pink, blue, and the one closest to me is a vibrant yellow. If not for the strange doors, the hallway would be dim and melancholy. Foreboding.

Certainly, no one has been up in this wing of the house in ages. I shiver at the slight dampness in the air and consider returning to the lower rooms. But as I stand gazing at the hallway and the bright, cheerful portals, I am allured away from the stairs.

Just one door. I have to see what’s behind the mysterious doors.

I turn to the yellow one on my left. It swings open without a sound. A warm refreshing light greets me as I step through the entrance. Immediately, I freeze. At first glance, it seems to be a delightful parlor, ensconced in warm firelight. So someone is living up here. Tea is set at the mahogany table. I turn to flee before someone finds me in a private chamber. But a movement across the room arrests my gaze, and I pause once more.

The walls are mirrors.

I stare at my reflection.

But…it isn’t my reflection.

I look down at my dress of faded green, then look back up to face a young girl dressed in my old childhood frocks. I’m staring at the image of my ten-year-old self. She stares shyly back at me, hands pressed tightly together. Then she turns and walks away.

My pulse hammers in my veins and I stumble backward. I can’t take my eyes off the girl.

In the reflection, she keeps walking away from me. On either side of her, I can faintly see her surroundings. She walks through a doorway. I choke down a cry as I recognize my father’s work room. She runs, her small mouth open with happy laughter, straight into my father’s arms. His wrinkled face lights up with joy as he presses his little girl close.

I bite my lip, fighting the urge to scream. As I force myself to breathe deeply, I watch the scene on the mirror shift.

The girl is older. She’s sitting at a window, staring out into the world. A book rests on her lap. But her expression is sad. A little boy appears next to her, eyes wide. He pulls at her arm and tries to make her look at his toy. She only glances at him impatiently and, gently pushing him away, returns to her book. Soon, her gaze wanders back to the window.

The colors mix together as the images on the mirror begin to fade. It clears, showing my reflection as I stand next to the door in the parlor. I smooth my wrinkled green dress and the reflection imitates me perfectly. Of course—it’s just a mirror. I turn, heart still beating fast, and pull open the door to the passageway.

I lean against the dark wood paneling, trying to clear the images from my mind. As my shock fades, the questions surface. What kind of house is this? Who would have an abandoned upper wing with magic mirrors?

I find myself gazing down the hall, at the other colorful portals. Do they all have mirrors? Deep inside, I tell myself that entering the others is a bad idea. But I can’t resist the urge. I tiptoe toward the blue doorway.

My hand rests on the handle. Swallowing, I push the door open a couple of inches and peek inside. The first thing I see is books; the entire opposite wall is lined with shelves. I smile faintly and enter the library. I start across the room to examine the exquisite volumes, when I noticed the mirror-wall to my left mimicking my movements. I stop, feeling trapped in the middle of the room.

In the mirror, she stands—now a young teenager. She’s fastening a cloak around her neck and slipping a book and snatches of food into a worn satchel.

I feel like someone has slapped me in the face. For years, I have striven to forget that day.

I tremble as I watch her creep from the cottage. Her eyes are filled with determination and stubbornness. Even when she enters the dark forest, she doesn’t look back. She wanders long into the night, guided only by the light of the moon and her willful aspiration for adventure.

The image muddles and shifts.

When the colors clear, I see my father. He’s crying. Trying to hide it from my brother, who’s still a little boy. He stands in the open door of the cottage, looking out at the forest. Always watching, always waiting.

The image shifts again. My father’s hair becomes gray, and he leans on a staff. His eyes are still the same. But now they seem sad. As his surroundings come into focus, I see he’s once again standing in the open door of the now-aged cottage. He’s still staring out into the forest.

Tears find their way down my cheeks. I back away, my gaze still glued to the mirror, wildly reaching behind me for a doorknob.

Before I can escape, a new image catches my attention, rendering me motionless, hands clenched.

I see him. His piercing green eyes locked on her, the naïve fool standing in the door of his house. His lips move, close to her ear. The image in the mirror utters no noise. But new tears spring to my eyes. For I remember his words, the soft offerings of love and adventure.

As he draws his young prey close, I shut my eyes, gritting my teeth. With a sob, I back toward the door. My hand closes on the handle, and I push.

I rush from the room. Into darkness.

I panic. Turning, I reach for the doorknob, and turn it. It’s locked from this side. I utter a moan as I realize that I went through the wrong door.

I lean against the wall, breathing hard. I try not to imagine what’s in the darkness before me. As I stand, the images from the mirrors flood back to me. I remember the tears slipping from my father’s eyes.

A sob escapes my lips. All these years I have imagined my family, little Richard, forgetting me. Becoming indifferent to my absence. Moving on.

All these years, I have thought of myself as a strong and noble woman for making such sacrifices to pursue my dreams. And now I have seen the truth.

I’ve seen my now-aged father still watching for me, seen that man enticing me with his words. Remembered his promises of a fulfilling life and how I so easily fell prey to his smooth words.

Now I see the truth. I am a fool.

Oh, what have I done?

I stumble through the darkness. An urge drives me on. To escape this blackness, this house. I have somewhere I need to go. For the first time in years, I feel a purpose motivating me. I stretch out my hands, feeling the emptiness. Reaching for a door. Reaching for light.

A hand grabs my arm and an involuntary shriek escapes my lips. The hand grips my arm hard, pulling me through the darkness, as I stumble, shaking in fear. “Please,” I gasp. “I didn’t mean any harm.”

Light blinds me. I fling my free hand over my eyes, cringing. I’m pulled into the light and the hand releases my arm. Faltering, I lower my hand from my eyes.

The Lady stands locking the door. I am once again in the passageway. She turns, her face full of concern, and she motions for me to follow her. I do, heart still beating fast, hands sweaty. We walk back down the passageway to the stairway. Once we’re downstairs, she leads me to the front of the house

“I am sorry,” I whisper as we walk.

She pauses and turns to face me. “The mirrors were meant for you to find, Child.”

I search her face for an explanation.

“They are a powerful tool,” she continues gently. “They do not lie, but only shows what each person needs to see.”

I glance down in shame, remembering. The Lady places a gentle finger under my chin and raises my face. Her eyes smile gentle at me.

“Whatever you saw in the mirrors, you needed to see. Painful as the experience must have been, the mirrors do not show things needlessly. Do not ignore their warnings.”

“But,” I wonder out loud, “where did you get magic mirrors?”

She laughs. “They are not really magic, dear. They have been part of my father’s house as long as it has stood.”

She turns and motions for me to follow. We walk through a long hall and out the front door. A carriage stands waiting. She helps me in and tucks a warm blanket over my lap.

“I still don’t understand,” I whisper.

She smiles. “The carriage will carry you wherever your true desires lead.”

I swallow hard. “I want to go home.”